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The Sword That Splits a Hair

Kakemono, unique work, 134 x 70 cm
Product number: 5470

Sold – no longer available

This piece was a handmade one-of-a-kind work. It cannot be reordered and will never exist in this form again. The page stays online as part of our archive.

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Details about the sold piece

  • Height 134 cm
  • Width 70 cm
  • Item Type Kakemono
  • Jikusaki Wood
  • Material Honshi Paper
  • Period of Creation Shôwa (1926–1989)
  • Technique Hand-Painted
  • Unique Work Yes
Sold

No longer available

Description

With a few powerful brushstrokes, a calligraphy of remarkable dynamism unfolds on the cream-colored paper. The black ink characters appear to have been written in a single flow, broad, rich strokes alternating with thin, attenuated lines in which the individual bristles of the brush remain visible. Two red seals set quiet accents beside the energetic script.

The characters carry the meaning "The Sword That Splits a Hair" – an image for sharpness, clarity, and incorruptible precision, as it is frequently used in the tradition of the martial arts and of Zen. Whoever regards the hanging scroll senses, in the force of the brushwork, something of this resolve conjured up in the characters.

The work, dating from the Shôwa period, is written on paper, fitted with roller rods of wood, and mounted in the classical manner as a kakemono. As a hand-written unique work by a Japanese calligrapher, it is suited both to collectors of East Asian calligraphy and to lovers of restrained, powerful spatial art.

Frequently asked

No – as a one-of-a-kind piece it exists in a single example only.
We would be glad to look for one. Get in touch with the details of the object you are looking for and we will see what we can do.
Because the two pieces of information speak about different things: the period designation describes the object – support, colors, condition – while the signature reflects which name appears on the painting. In most cases there is no attempt at deception behind this, but rather Japanese painting training: copying from workshop models was the curriculum for centuries, an utsushi is regarded as a bow to the teacher, workshops signed with the master's name, and artist names were passed down within a school. Such a hanging scroll is therefore not a forgery, but a hand-painted one-of-a-kind that continues the formal language of its school – just not the work of the famous name, and priced accordingly. We explain this in detail in the guide Why does a kakemono often bear the signature of an artist long deceased?.