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Two Cranes in the Surf under a Red Sun

Kakemono, unique work, 200 x 50 cm
Product number: 4240

Sold – no longer available

This piece was handmade by Unryō and was a one-of-a-kind work. It cannot be reordered and will never exist in this form again. The page stays online as part of our archive.

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Details about the sold piece

  • Height 200 cm
  • Width 50 cm
  • Item Type Kakemono
  • Jikusaki Bone
  • Material Honshi Paper
  • Period of Creation Meiji (1868–1912)
  • Technique Hand-Painted
  • Unique Work Yes
Signature / Stamp:
Unryō
Sold

No longer available

Description

Cranes have long been regarded in Japan as messengers of good fortune and a symbol of long life, and this very meaning resonates in this ink-painted kakemono: two birds stand in the surging water, their necks elegantly curved, while suggested waves in the background frame the composition.

The painter confines himself almost entirely to shades of black and gray; only the characteristic red crowns of the cranes provide a touch of color. This restraint lends the painting a quiet elegance typical of classical bird-and-flower painting (kachô-ga). Created in the Meiji period, the work is painted on paper, and the jikusaki ends are made of bone.

As a gift or as wall decoration in special rooms, such a crane motif has been valued for generations, as it conveys wishes for health and long life. Anyone seeking a subtle yet meaningful work of Japanese ink painting will find in this kakemono a fitting example.

Frequently asked

No – as a one-of-a-kind piece it exists in a single example only.
We would be glad to look for one. Get in touch with the details of the object you are looking for and we will see what we can do.
Because the two pieces of information speak about different things: the period designation describes the object – support, colors, condition – while the signature reflects which name appears on the painting. In most cases there is no attempt at deception behind this, but rather Japanese painting training: copying from workshop models was the curriculum for centuries, an utsushi is regarded as a bow to the teacher, workshops signed with the master's name, and artist names were passed down within a school. Such a hanging scroll is therefore not a forgery, but a hand-painted one-of-a-kind that continues the formal language of its school – just not the work of the famous name, and priced accordingly. We explain this in detail in the guide Why does a kakemono often bear the signature of an artist long deceased?.