Skip to main content Skip to search Skip to main navigation

Two Ducks in the Reeds by the Shore

Kakemono, unique work, 180 x 60 cm
Product number: 3493

Sold – no longer available

This piece was handmade by Shunpū and was a one-of-a-kind work. It cannot be reordered and will never exist in this form again. The page stays online as part of our archive.

You might like these pieces

Details about the sold piece

  • Height 180 cm
  • Width 60 cm
  • Item Type Kakemono
  • Jikusaki Wood
  • Material Honshi Silk
  • Period of Creation Shôwa (1926–1989)
  • Technique Hand-Painted
  • Unique Work Yes
Signature / Stamp:
Shunpū
Sold

No longer available

Description

Two waterfowl stand close together among reed-like grasses, their plumage finely graduated in delicate brown and cream tones, their heads turned in slightly different directions. The naturalistic rendering of the plumage and posture reveals a keen power of observation and a sure sense for the proportions of the animals.

Pairs of birds like these are among the popular auspicious motifs of Japanese painting and frequently stand for marital fidelity, harmony, and peaceful companionship. Against the restrained, almost empty background of the painting, the pair unfolds a calm, warm presence that lends the picture its congenial character.

The kakemono was hand-painted on silk in the Shôwa period and fitted with wooden jikusaki. The signature and the red seal of the painter at the lower edge of the picture confirm the execution as an independent unique work. For lovers of classical animal painting with symbolic meaning, this hanging scroll is a graceful addition.

Frequently asked

No – as a one-of-a-kind piece it exists in a single example only.
We would be glad to look for one. Get in touch with the details of the object you are looking for and we will see what we can do.
Because the two pieces of information speak about different things: the period designation describes the object – support, colors, condition – while the signature reflects which name appears on the painting. In most cases there is no attempt at deception behind this, but rather Japanese painting training: copying from workshop models was the curriculum for centuries, an utsushi is regarded as a bow to the teacher, workshops signed with the master's name, and artist names were passed down within a school. Such a hanging scroll is therefore not a forgery, but a hand-painted one-of-a-kind that continues the formal language of its school – just not the work of the famous name, and priced accordingly. We explain this in detail in the guide Why does a kakemono often bear the signature of an artist long deceased?.