Skip to main content Skip to search Skip to main navigation

Two Sparrows on the Sakura Branch

Kakemono, unique work, with box, 200 x 55 cm
Product number: 5894

Sold – no longer available

This piece was handmade by Asami Kashiro and was a one-of-a-kind work. It cannot be reordered and will never exist in this form again. The page stays online as part of our archive.

You might like these pieces

Details about the sold piece

  • Height 200 cm
  • Width 55 cm
  • Item Type Kakemono
  • Jikusaki Bone
  • Material Honshi Silk
  • Period of Creation Shôwa (1926–1989)
  • Technique Hand-Painted
  • Unique Work Yes
  • Wooden Box Yes
Signature / Stamp:
Asami Kashiro
Sold

No longer available

Description

The scene appears playful and lively, showing two small sparrows sitting close together on a gnarled branch while delicate white-pink cherry blossoms open above them. The fine feather drawings of the birds and the delicate petals attest to great painterly precision, while the warm, shimmering silk ground lends the picture a calm, friendly note – a motif that captures Japan's brief, celebrated spring.

The work bears the signature and seal of the painter Asami Kashiro and was hand-painted on silk during the Shôwa period. It is delivered including the signed wooden box, which additionally documents the provenance and authenticity of the hanging scroll.

As a kakemono, this unique work is wonderfully suited to celebrating the cherry blossom season in the tokonoma in spring, but its cheerful motif also unfolds its charm outside of this season. Collectors and lovers of Japanese bird and blossom painting will find here a particularly lovingly crafted piece.

Frequently asked

No – as a one-of-a-kind piece it exists in a single example only.
We would be glad to look for one. Get in touch with the details of the object you are looking for and we will see what we can do.
Because the two pieces of information speak about different things: the period designation describes the object – support, colors, condition – while the signature reflects which name appears on the painting. In most cases there is no attempt at deception behind this, but rather Japanese painting training: copying from workshop models was the curriculum for centuries, an utsushi is regarded as a bow to the teacher, workshops signed with the master's name, and artist names were passed down within a school. Such a hanging scroll is therefore not a forgery, but a hand-painted one-of-a-kind that continues the formal language of its school – just not the work of the famous name, and priced accordingly. We explain this in detail in the guide Why does a kakemono often bear the signature of an artist long deceased?.