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Wanderer in the Misty Mountains

Kakemono, unique work, 178 x 65 cm
Product number: 4333

Sold – no longer available

This piece was a handmade one-of-a-kind work. It cannot be reordered and will never exist in this form again. The page stays online as part of our archive.

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Details about the sold piece

  • Height 178 cm
  • Width 65 cm
  • Item Type Kakemono
  • Jikusaki Wood
  • Material Honshi Silk
  • Period of Creation Shôwa (1926–1989)
  • Technique Hand-Painted
  • Unique Work Yes
Sold

No longer available

Description

Between jagged rocks and densely leaved trees, two tiny figures appear on a narrow path – a wandering scholar with his companion, venturing deep into a mountain landscape veiled in mist. The contours of the distant peaks dissolve almost entirely into the hazy gray, while in the foreground gnarled trees and blossoming plum branches emerge with clear, vigorous brushstrokes.

The composition follows the classical tradition of East Asian ink landscape painting, in which wanderers always appear as a small element amid overwhelming nature – a quiet symbol of human humility before creation. Fine silk served as the painting surface, lending the gradations of the ink tones a particularly soft texture, set in a mounting with a wooden rod.

Created in the Shôwa period, this hand-painted unique work combines meditative calm with carefully considered pictorial depth. Anyone who takes delight in traditional Japanese landscape painting will find here an evocative kakemono that unfolds a contemplative effect through restrained coloring and fine brushwork.

Frequently asked

No – as a one-of-a-kind piece it exists in a single example only.
We would be glad to look for one. Get in touch with the details of the object you are looking for and we will see what we can do.
Because the two pieces of information speak about different things: the period designation describes the object – support, colors, condition – while the signature reflects which name appears on the painting. In most cases there is no attempt at deception behind this, but rather Japanese painting training: copying from workshop models was the curriculum for centuries, an utsushi is regarded as a bow to the teacher, workshops signed with the master's name, and artist names were passed down within a school. Such a hanging scroll is therefore not a forgery, but a hand-painted one-of-a-kind that continues the formal language of its school – just not the work of the famous name, and priced accordingly. We explain this in detail in the guide Why does a kakemono often bear the signature of an artist long deceased?.