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Waterfall with Pine over Misty Hills

Kakemono, unique work, 150 x 49 cm
Product number: 3705

Sold – no longer available

This piece was a handmade one-of-a-kind work. It cannot be reordered and will never exist in this form again. The page stays online as part of our archive.

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Details about the sold piece

  • Height 150 cm
  • Width 49 cm
  • Item Type Kakemono
  • Jikusaki Wood
  • Material Honshi Paper
  • Period of Creation Shôwa (1926–1989)
  • Technique Hand-Painted
  • Unique Work Yes
Sold

No longer available

Description

From a jagged rock crevice, the water plunges down in several fine veils, masterfully rendered with diluted ink in delicate gray tones. At the foot of the waterfall grows a gnarled pine, its dark needles forming an effective counterpoint to the brightness of the falling spray. Behind it, gentle hill ranges fade into the mist, so that the pictorial space seems to breathe into depth.

This type of landscape painting follows the classical Suiboku tradition, in which light, mist, and movement are created solely through the gradation of ink tones. The signature and the red seal at the lower edge of the painting point to an accomplished master painter, who conjures up an entire natural scenery with a few, deliberately placed lines and washes, without rendering it out in detail.

The painting on paper is set within a calm, gray-green silk border with a delicate leaf pattern and dates from the Shôwa period. Waterfalls have long been regarded in Japan as a symbol of purification and the constant power of nature, and this hanging scroll translates this symbolism in an impressive way into a quiet, meditative visual language that is excellently suited as a special eye-catcher for a tokonoma or a quiet corner of the home.

Frequently asked

No – as a one-of-a-kind piece it exists in a single example only.
We would be glad to look for one. Get in touch with the details of the object you are looking for and we will see what we can do.
Because the two pieces of information speak about different things: the period designation describes the object – support, colors, condition – while the signature reflects which name appears on the painting. In most cases there is no attempt at deception behind this, but rather Japanese painting training: copying from workshop models was the curriculum for centuries, an utsushi is regarded as a bow to the teacher, workshops signed with the master's name, and artist names were passed down within a school. Such a hanging scroll is therefore not a forgery, but a hand-painted one-of-a-kind that continues the formal language of its school – just not the work of the famous name, and priced accordingly. We explain this in detail in the guide Why does a kakemono often bear the signature of an artist long deceased?.