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Winter Landscape

Kakemono, unique work, with box, 179 x 48 cm
Product number: 6109

Sold – no longer available

This piece was handmade by Matsumado Imai and was a one-of-a-kind work. It cannot be reordered and will never exist in this form again. The page stays online as part of our archive.

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Details about the sold piece

  • Height 179 cm
  • Width 48 cm
  • Item Type Kakemono
  • Jikusaki Sculpture
  • Material Honshi Paper
  • Period of Creation Shôwa (1926–1989)
  • Technique Hand-Painted
  • Unique Work Yes
  • Wooden Box Yes
Signature / Stamp:
Matsumado Imai
Sold

No longer available

Description

Dense snow lies over a small mountain village: thatched-roof houses hunker beneath the white burden, while a single traveler with a staff and blue cloak leaves his tracks through the snow-covered scenery. This Winter Landscape thrives on the atmospheric contrast between warm, earthy tones for the dwellings and cool, restrainedly washed white for snow and sky.

Winter depictions are among the popular motifs of Japanese landscape painting, as they convey stillness, contemplation, and the transience of the seasons in a particularly striking way. The small, almost lost figure of the traveler heightens the impression of vastness and seclusion, making the scene a quiet symbol of wintry solitude.

The kakemono is signed and sealed by Matsumado Imai, created in the Shôwa period. The work comes with its own wooden box. An atmospherically dense landscape painting, especially suited as tokonoma decoration for the cold season and, even beyond winter, evocative of Japanese mountain villages.

Frequently asked

No – as a one-of-a-kind piece it exists in a single example only.
We would be glad to look for one. Get in touch with the details of the object you are looking for and we will see what we can do.
Because the two pieces of information speak about different things: the period designation describes the object – support, colors, condition – while the signature reflects which name appears on the painting. In most cases there is no attempt at deception behind this, but rather Japanese painting training: copying from workshop models was the curriculum for centuries, an utsushi is regarded as a bow to the teacher, workshops signed with the master's name, and artist names were passed down within a school. Such a hanging scroll is therefore not a forgery, but a hand-painted one-of-a-kind that continues the formal language of its school – just not the work of the famous name, and priced accordingly. We explain this in detail in the guide Why does a kakemono often bear the signature of an artist long deceased?.