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Woodcutter in the Autumn Mountains

Kakemono, unique work, 187 x 34 cm
Product number: 4724

Sold – no longer available

This piece was a handmade one-of-a-kind work. It cannot be reordered and will never exist in this form again. The page stays online as part of our archive.

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Details about the sold piece

  • Height 187 cm
  • Width 34 cm
  • Item Type Kakemono
  • Jikusaki Wood
  • Material Honshi Paper
  • Period of Creation Shôwa (1926–1989)
  • Technique Hand-Painted
  • Unique Work Yes
Sold

No longer available

Description

This pair of hanging scrolls from the Shôwa period leads into the quiet, richly colored mountain world of the Japanese autumn: two matching kakemono show one and the same scenery from a slightly shifted perspective, one with blood-red maple foliage, the other with the protagonist himself at the center of the action.

A man with a woven hat and traditional hiking attire climbs through the mountains, carrying ripe red fruit in his arms while cutting his way through the autumnal undergrowth with a hatchet. Delicate wisps of mist between the mountain peaks and the finely washed treetops create a calm, almost reverent mood typical of the landscape painting of this period, drawing the viewer directly into the scenery.

Both sheets are executed on paper, fitted with a jikusaki made of wood, and each bears the artist's signature and red seal at the lower edge of the image. As a connected set, the two hanging scrolls complement one another and can be hung side by side or individually – an atmospheric piece of Japanese genre painting for lovers of rural, narrative motifs.

Frequently asked

No – as a one-of-a-kind piece it exists in a single example only.
We would be glad to look for one. Get in touch with the details of the object you are looking for and we will see what we can do.
Because the two pieces of information speak about different things: the period designation describes the object – support, colors, condition – while the signature reflects which name appears on the painting. In most cases there is no attempt at deception behind this, but rather Japanese painting training: copying from workshop models was the curriculum for centuries, an utsushi is regarded as a bow to the teacher, workshops signed with the master's name, and artist names were passed down within a school. Such a hanging scroll is therefore not a forgery, but a hand-painted one-of-a-kind that continues the formal language of its school – just not the work of the famous name, and priced accordingly. We explain this in detail in the guide Why does a kakemono often bear the signature of an artist long deceased?.