Saeki Shunkō
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Saeki Shunkō (佐伯春虹): Bijinga in the Early Shōwa Period
Saeki Shunkō (佐伯春虹, 1909–1942) was a Japanese Nihonga painter. His field of work was Bijinga, the depiction of beautiful women. He died at the age of 33, so that his body of work remained confined to a good decade – the years between the end of the Taishō period and the middle of the Shōwa period, in which Bijinga experienced its last great upswing.
Bijinga as a Genre
A Bijinga is not a portrait. The woman depicted remains nameless and stands for a type; what the image conveys lies in the accessory details. The pattern and cut of the kimono denote status and season, the hairstyle denotes age and marital status, the position of the hands denotes the situation. The genre originates from Ukiyo-e and was transferred into Nihonga in the 20th century by painters such as Kaburaki Kiyokata and Itō Shinsui, where it became technically more demanding: mineral pigments on silk allow for gradations that woodblock printing does not know.
The Face as a Touchstone
In Bijinga, the rank of a painter is decided by the face. It is laid down with a few lines, without shading, and any deviation stands out – a corner of the mouth shifted by a millimeter changes the entire expression. Equally demanding is the transition from collar to nape, which is traditionally considered particularly appealing in this genre and is accorded correspondingly great care. Those who compare such hanging scrolls should pay attention to these two spots.