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Beauty

Kakemono, unique work, 198 x 44 cm
Product number: 6031

Sold – no longer available

This piece was handmade by Shuuko Nakayama and was a one-of-a-kind work. It cannot be reordered and will never exist in this form again. The page stays online as part of our archive.

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Details about the sold piece

  • Height 198 cm
  • Width 44 cm
  • Item Type Kakemono
  • Jikusaki Wood
  • Material Honshi Silk
  • Period of Creation Shôwa (1926–1989)
  • Technique Hand-Painted
  • Unique Work Yes
Signature / Stamp:
Shuuko Nakayama
Sold

No longer available

Description

Beneath a blossoming cherry branch, a young woman in a brightly colored orange kimono walks across a gently curving meadow, her gaze turned pensively to the side. Her elaborately arranged hairstyle, adorned with hairpins, together with the delicate pink and blue tones of her robe, attest to the care with which this Bijin-ga, a classic motif of the "beautiful woman," was rendered. The softly suggested full moon in the background lends the scene a nocturnal, almost dreamlike mood.

The work, painted on silk, bears the signature and seal of Shuuko Nakayama and was created in the Shôwa period. The Jikusaki made of wood rounds off the traditional presentation of the hanging scroll fittingly. The fine line work in the face and in the folds of the robe reveals the high painterly skill with which Bijin-ga depictions were executed in this period.

Motifs of beautiful women beneath cherry blossoms are among the most popular subjects of Japanese painting, combining the theme of transience with quiet elegance. This Kakemono is exceptionally well suited for lovers of classical Japanese depictions of women and for all who wish to bring a piece of Far Eastern aesthetics into their living spaces.

Frequently asked

No – as a one-of-a-kind piece it exists in a single example only.
We would be glad to look for one. Get in touch with the details of the object you are looking for and we will see what we can do.
Because the two pieces of information speak about different things: the period designation describes the object – support, colors, condition – while the signature reflects which name appears on the painting. In most cases there is no attempt at deception behind this, but rather Japanese painting training: copying from workshop models was the curriculum for centuries, an utsushi is regarded as a bow to the teacher, workshops signed with the master's name, and artist names were passed down within a school. Such a hanging scroll is therefore not a forgery, but a hand-painted one-of-a-kind that continues the formal language of its school – just not the work of the famous name, and priced accordingly. We explain this in detail in the guide Why does a kakemono often bear the signature of an artist long deceased?.