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Bukko – Buddha's Light

Kakemono, unique work, 200 x 53 cm
Product number: 3697

Sold – no longer available

This piece was a handmade one-of-a-kind work. It cannot be reordered and will never exist in this form again. The page stays online as part of our archive.

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Details about the sold piece

  • Height 200 cm
  • Width 53 cm
  • Item Type Kakemono
  • Jikusaki Wood
  • Material Honshi Paper
  • Period of Creation Shôwa (1926–1989)
  • Technique Hand-Painted
  • Unique Work Yes
Sold

No longer available

Description

In the Buddhist tradition, the light of Buddha stands for enlightenment and inner awakening, and it is precisely this term, Bukko, that the calligrapher has captured on this hanging scroll with a few powerful brushstrokes. The first character begins with a dense, almost black dot before the ink is drawn down into a single long, thinning stroke that spans the entire center of the composition. The second character follows in a freer, almost dance-like manner, sweeping out into a wide curve at the lower edge of the composition.

The effect arises entirely from the movement of the brush: dry and wet passages alternate, so that one can almost trace the speed of the hand as it wrote. To the right of the characters are a small artist's signature and two red seals, which lend the sheet its authenticity. The light, golden-shimmering background with its fine floral vine pattern forms a calm contrast to the force of the black ink.

Paper serves as the support, mounted on a border of subtly patterned brocade with a wooden roller. The work was created in the Shôwa period and shows the combination of craftsmanlike discipline and spontaneous, meditative expression typical of Japanese calligraphy. Anyone interested in Buddhist-inspired ink art will find in this unique work a quiet but striking testimony to this tradition.

Frequently asked

No – as a one-of-a-kind piece it exists in a single example only.
We would be glad to look for one. Get in touch with the details of the object you are looking for and we will see what we can do.
Because the two pieces of information speak about different things: the period designation describes the object – support, colors, condition – while the signature reflects which name appears on the painting. In most cases there is no attempt at deception behind this, but rather Japanese painting training: copying from workshop models was the curriculum for centuries, an utsushi is regarded as a bow to the teacher, workshops signed with the master's name, and artist names were passed down within a school. Such a hanging scroll is therefore not a forgery, but a hand-painted one-of-a-kind that continues the formal language of its school – just not the work of the famous name, and priced accordingly. We explain this in detail in the guide Why does a kakemono often bear the signature of an artist long deceased?.