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Daruma Head Over Curved Brushstroke

Kakemono, unique work, 195 x 50 cm
Product number: 3456

Sold – no longer available

This piece was a handmade one-of-a-kind work. It cannot be reordered and will never exist in this form again. The page stays online as part of our archive.

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Details about the sold piece

  • Height 195 cm
  • Width 50 cm
  • Item Type Kakemono
  • Jikusaki Wood
  • Material Honshi Paper
  • Period of Creation Heisei (1989–2019)
  • Technique Hand-Painted
  • Unique Work Yes
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No longer available

Description

Calm and introspective, the depicted figure of a monk looks to the side, the head slightly inclined, the face modeled with few but assured lines. Above it stands a single, broadly placed character, lending the whole composition a quiet, almost suspended concentration – entirely in keeping with the reduced visual language of Zen painting.

The figure depicted is Bodhidharma, also known in Japanese as Daruma, who is venerated as the first patriarch of Zen, or Chan, Buddhism. He is said to have traveled from India to China toward the end of the 5th century and to have laid the foundations there of this still-influential Buddhist school. Motifs such as this one recall his significance as a symbol of endurance, determination, and deep meditative absorption.

The kakemono is hand-painted on paper and fitted with wooden jikusaki, created in the Heisei period. Signature and seal at the left edge of the image identify it as a unique work by a Japanese painter. Anyone interested in Zen iconography and the art of calligraphic reduction will find in this hanging scroll a quiet, expressive piece.

Frequently asked

No – as a one-of-a-kind piece it exists in a single example only.
We would be glad to look for one. Get in touch with the details of the object you are looking for and we will see what we can do.
Because the two pieces of information speak about different things: the period designation describes the object – support, colors, condition – while the signature reflects which name appears on the painting. In most cases there is no attempt at deception behind this, but rather Japanese painting training: copying from workshop models was the curriculum for centuries, an utsushi is regarded as a bow to the teacher, workshops signed with the master's name, and artist names were passed down within a school. Such a hanging scroll is therefore not a forgery, but a hand-painted one-of-a-kind that continues the formal language of its school – just not the work of the famous name, and priced accordingly. We explain this in detail in the guide Why does a kakemono often bear the signature of an artist long deceased?.