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Dragon at Mount Fuji

Kakemono, unique work, with box, 220 x 87 cm
Product number: 6096

Sold – no longer available

This piece was handmade by Tsurumine Sansei and was a one-of-a-kind work. It cannot be reordered and will never exist in this form again. The page stays online as part of our archive.

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Details about the sold piece

  • Height 220 cm
  • Width 87 cm
  • Item Type Kakemono
  • Jikusaki Bone
  • Material Honshi Silk
  • Period of Creation Meiji (1868–1912)
  • Technique Hand-Painted
  • Unique Work Yes
  • Wooden Box Yes
Signature / Stamp:
Tsurumine Sansei
Sold

No longer available

Description

Two ghostly dragons emerging from clouds play around the majestically rising Fuji-San, whose snow-covered peak stands out clearly against the billowing banks of mist. The dragons are rendered in fine, iridescent tones of ink, so that they almost seem to merge with the clouds, while the mountain itself is kept in calmer, firmer lines. This juxtaposition of wild natural force and quiet grandeur constitutes the special appeal of this composition.

The work, painted on silk, bears the signature and seal of the artist Tsurumine Sansei (鶴峰三清) and dates from the Meiji period. The jikusaki made of bone completes the elaborate mounting, and the hanging scroll is delivered including an inscribed wooden box. In Japanese symbolism, dragons traditionally represent water, weather, and cosmic power, while Fuji-San is considered the sacred mountain par excellence, a combination that lends the image a particular mythological depth.

For collectors of extraordinary landscape motifs and lovers of Japanese dragon depictions, this Kakemono from the Meiji period is an impressive, rare piece of great symbolic power.

Frequently asked

No – as a one-of-a-kind piece it exists in a single example only.
We would be glad to look for one. Get in touch with the details of the object you are looking for and we will see what we can do.
Because the two pieces of information speak about different things: the period designation describes the object – support, colors, condition – while the signature reflects which name appears on the painting. In most cases there is no attempt at deception behind this, but rather Japanese painting training: copying from workshop models was the curriculum for centuries, an utsushi is regarded as a bow to the teacher, workshops signed with the master's name, and artist names were passed down within a school. Such a hanging scroll is therefore not a forgery, but a hand-painted one-of-a-kind that continues the formal language of its school – just not the work of the famous name, and priced accordingly. We explain this in detail in the guide Why does a kakemono often bear the signature of an artist long deceased?.