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Enso - Zen Calligraphy on Speckled Paper

Kakemono, unique work, 130 x 64 cm
Product number: 6212

Sold – no longer available

This piece was handmade by Fukumoto Sekisho and was a one-of-a-kind work. It cannot be reordered and will never exist in this form again. The page stays online as part of our archive.

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Details about the sold piece

  • Height 130 cm
  • Width 64 cm
  • Item Type Kakemono
  • Jikusaki Wood
  • Material Honshi Paper
  • Period of Creation Shôwa (1926–1989)
  • Technique Hand-Painted
  • Unique Work Yes
Signature / Stamp:
Fukumoto Sekisho
Sold

No longer available

Description

On finely speckled, warm-toned paper sits a thickly applied, earthy-looking ink circle – the enso, whose slightly open form leaves room for the viewer's own interpretation. The shimmering paper texture gives the background an aged appearance, lending additional depth to the classic motif.

To the left of the circle runs a brief, powerfully rendered line of calligraphy that underscores the interplay of form and emptiness. The kakemono bears the signature and seal of the calligrapher Fukumoto Sekisho and was created in the Shôwa period; the mounting, with gold-colored ornamental bands and lotus pattern, gives the work painted on paper a festive frame, complemented by a jikusaki made of wood.

The enso is among the best-known motifs of Zen calligraphy and is often associated with completion, infinity, or the beauty of imperfection. This hand-painted unique work brings this quiet symbolic power into living or meditation spaces and is an impressive testament to the art of Japanese calligraphy.

Frequently asked

No – as a one-of-a-kind piece it exists in a single example only.
We would be glad to look for one. Get in touch with the details of the object you are looking for and we will see what we can do.
Because the two pieces of information speak about different things: the period designation describes the object – support, colors, condition – while the signature reflects which name appears on the painting. In most cases there is no attempt at deception behind this, but rather Japanese painting training: copying from workshop models was the curriculum for centuries, an utsushi is regarded as a bow to the teacher, workshops signed with the master's name, and artist names were passed down within a school. Such a hanging scroll is therefore not a forgery, but a hand-painted one-of-a-kind that continues the formal language of its school – just not the work of the famous name, and priced accordingly. We explain this in detail in the guide Why does a kakemono often bear the signature of an artist long deceased?.