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Fuji-San in Morning Mist

Kakemono, unique work, with box, 128 x 70 cm
Product number: 6095

Sold – no longer available

This piece was handmade by Kishi Koma and was a one-of-a-kind work. It cannot be reordered and will never exist in this form again. The page stays online as part of our archive.

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Details about the sold piece

  • Height 128 cm
  • Width 70 cm
  • Item Type Kakemono
  • Jikusaki Bone
  • Material Honshi Paper
  • Period of Creation Meiji (1868–1912)
  • Technique Hand-Painted
  • Unique Work Yes
  • Wooden Box Yes
Signature / Stamp:
Kishi Koma
Sold

No longer available

Description

Pale gray tones make Fuji-San appear as if seen through dense morning mist, while small rock formations in front, likewise rendered in ink, form a quiet foreground with scattered pines and two tiny figures. The delicate, almost translucent wash creates a meditative mood in which the sacred mountain appears less as a massive elevation than as a fleeting, atmospheric appearance. This reticent pictorial language is typical of classical Suiboku landscape painting.

The kakemono, painted on paper, bears the signature and seal of the artist Kishi Koma (岸駒) and was created in the Meiji period. The jikusaki made of bone underscores the high-quality mounting, and the hanging scroll is delivered including a wooden box. Fuji depictions of this kind were valued by numerous painters of the period as an expression of permanence and spiritual sublimity.

The fine, almost reticent execution makes this kakemono a particularly evocative piece for collectors of classical landscape painting who prefer a quiet, contemplative pictorial language to the loud motif.

Frequently asked

No – as a one-of-a-kind piece it exists in a single example only.
We would be glad to look for one. Get in touch with the details of the object you are looking for and we will see what we can do.
Because the two pieces of information speak about different things: the period designation describes the object – support, colors, condition – while the signature reflects which name appears on the painting. In most cases there is no attempt at deception behind this, but rather Japanese painting training: copying from workshop models was the curriculum for centuries, an utsushi is regarded as a bow to the teacher, workshops signed with the master's name, and artist names were passed down within a school. Such a hanging scroll is therefore not a forgery, but a hand-painted one-of-a-kind that continues the formal language of its school – just not the work of the famous name, and priced accordingly. We explain this in detail in the guide Why does a kakemono often bear the signature of an artist long deceased?.