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Mountain Landscape with Pine on Gold Ground

Kakemono, unique work, with box, 195 x 54 cm
Product number: 6052

Sold – no longer available

This piece was handmade by Kawabata Gyoku and was a one-of-a-kind work. It cannot be reordered and will never exist in this form again. The page stays online as part of our archive.

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Details about the sold piece

  • Height 195 cm
  • Width 54 cm
  • Item Type Kakemono
  • Jikusaki Bone
  • Material Honshi Silk
  • Period of Creation Shôwa (1926–1989)
  • Technique Hand-Painted
  • Unique Work Yes
  • Wooden Box Yes
Signature / Stamp:
Kawabata Gyoku
Sold

No longer available

Description

Delicately blurred ink tones bring rugged rock formations and gnarled pines emerging from dense fog, while gently suggested mountain ranges in the background hint at the depth of the landscape. The composition thrives on the deliberate interplay of densely painted, dark passages and generously left-open, light areas that create the impression of clouds and rising mist. It is a typical landscape painting in the style of the Chinese-influenced Suiboku tradition, as it was long held in high esteem in Japan.

The hanging scroll, painted on silk, bears the signature and seal of the artist Kawabata Gyoku and was created in the Shôwa period. The Jikusaki made of bone underscores the high-quality workmanship, and the hanging scroll is delivered including a signed wooden box, which further contributes to the provenance and the state of preservation of the work.

Landscape depictions of this kind invite quiet contemplation and represent the close connection between man and nature in the Japanese art tradition. Collectors of classical ink painting and lovers of calm, atmospheric compositions will find in this piece a particularly evocative work.

Frequently asked

No – as a one-of-a-kind piece it exists in a single example only.
We would be glad to look for one. Get in touch with the details of the object you are looking for and we will see what we can do.
Because the two pieces of information speak about different things: the period designation describes the object – support, colors, condition – while the signature reflects which name appears on the painting. In most cases there is no attempt at deception behind this, but rather Japanese painting training: copying from workshop models was the curriculum for centuries, an utsushi is regarded as a bow to the teacher, workshops signed with the master's name, and artist names were passed down within a school. Such a hanging scroll is therefore not a forgery, but a hand-painted one-of-a-kind that continues the formal language of its school – just not the work of the famous name, and priced accordingly. We explain this in detail in the guide Why does a kakemono often bear the signature of an artist long deceased?.