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Mountain Landscape with Teahouse by the River

Kakemono, unique work, 165 x 60 cm
Product number: 3588

Sold – no longer available

This piece was a handmade one-of-a-kind work. It cannot be reordered and will never exist in this form again. The page stays online as part of our archive.

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Details about the sold piece

  • Height 165 cm
  • Width 60 cm
  • Item Type Kakemono
  • Jikusaki Wood
  • Material Honshi Paper
  • Period of Creation Heisei (1989–2019)
  • Technique Hand-Painted
  • Unique Work Yes
Sold

No longer available

Description

Above a quiet river course, rugged rocks cluster into dense, moss-covered formations, while a two-story teahouse nestles into the mist between them. The subdued earth tones of the paper are interrupted by brightly turquoise pines and a tree with coral-red clusters of blossoms, lending the tranquil scenery an unexpected accent of color. A thatched-roof pavilion invites lingering by the riverbank, just as classical Chinese-Japanese scholar painting likes to stage it.

The composition follows the tradition of landscape painting, in which architecture, water, and mountains merge into a harmonious whole. At the top edge of the image, a calligraphic inscription complements the motif and refers to the poetic title of the work, which speaks of "Mountain Colors and Wave Light." The fine linework of the rocks and the carefully placed touches of color testify to craftsmanship and a practiced brush.

As a hand-painted unique work on paper, mounted in a patterned silk brocade border, this kakemono unites the calm of a secluded scholar's world with decorative effect. It is suited to collectors of traditional Japanese hanging scrolls as well as to anyone who wishes to lend a home a touch of Far Eastern contemplation.

Frequently asked

No – as a one-of-a-kind piece it exists in a single example only.
We would be glad to look for one. Get in touch with the details of the object you are looking for and we will see what we can do.
Because the two pieces of information speak about different things: the period designation describes the object – support, colors, condition – while the signature reflects which name appears on the painting. In most cases there is no attempt at deception behind this, but rather Japanese painting training: copying from workshop models was the curriculum for centuries, an utsushi is regarded as a bow to the teacher, workshops signed with the master's name, and artist names were passed down within a school. Such a hanging scroll is therefore not a forgery, but a hand-painted one-of-a-kind that continues the formal language of its school – just not the work of the famous name, and priced accordingly. We explain this in detail in the guide Why does a kakemono often bear the signature of an artist long deceased?.