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Pair of Cranes in Front of the Red Sun in Bold Colors

Kakemono, unique work, 185 x 60 cm
Product number: 3757

Sold – no longer available

This piece was handmade by Kunihiro and was a one-of-a-kind work. It cannot be reordered and will never exist in this form again. The page stays online as part of our archive.

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Details about the sold piece

  • Height 185 cm
  • Width 60 cm
  • Item Type Kakemono
  • Jikusaki Wood
  • Material Honshi Silk
  • Period of Creation Shôwa (1926–1989)
  • Technique Hand-Painted
  • Unique Work Yes
Signature / Stamp:
Kunihiro
Sold

No longer available

Description

Two red-crowned cranes stand upright on a rocky outcrop, while in the background a bold orange-red sun rises above the horizon. The white feathers of the birds are rendered individually with the finest brushstrokes, while the deep black tail feathers complete the plumage in dense, sweeping arcs, lending the composition an elegant dynamism.

Above the cranes, a pine branch with small cones spreads its needles, their dark green forming an effective contrast to the warm beige of the sky. This pictorial combination of crane, pine, and rising sun is among the best-known auspicious symbols of Japan, as together they stand for long life, constancy, and a fortunate new beginning. Signature and red seal are discreetly placed at the lower right.

The fine, colored painting is executed on paper and set within a bronze-colored silk border with a delicate cloud pattern, created in the Shôwa period. Through its careful attention to detail and classical symbolism, this hanging scroll ranks among the particularly festive and inviting motifs found among traditional Japanese hanging scrolls.

Frequently asked

No – as a one-of-a-kind piece it exists in a single example only.
We would be glad to look for one. Get in touch with the details of the object you are looking for and we will see what we can do.
Because the two pieces of information speak about different things: the period designation describes the object – support, colors, condition – while the signature reflects which name appears on the painting. In most cases there is no attempt at deception behind this, but rather Japanese painting training: copying from workshop models was the curriculum for centuries, an utsushi is regarded as a bow to the teacher, workshops signed with the master's name, and artist names were passed down within a school. Such a hanging scroll is therefore not a forgery, but a hand-painted one-of-a-kind that continues the formal language of its school – just not the work of the famous name, and priced accordingly. We explain this in detail in the guide Why does a kakemono often bear the signature of an artist long deceased?.