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Pines and Shrine Before Mount Fuji

Kakemono, unique work, 189 x 60 cm
Product number: 5363

Sold – no longer available

This piece was a handmade one-of-a-kind work. It cannot be reordered and will never exist in this form again. The page stays online as part of our archive.

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Details about the sold piece

  • Height 189 cm
  • Width 60 cm
  • Item Type Kakemono
  • Jikusaki Wood
  • Material Honshi Silk
  • Period of Creation Shôwa (1926–1989)
  • Technique Hand-Painted
  • Unique Work Yes
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No longer available

Description

Between gnarled, picturesquely branched pines, the brightly red roofs and gates of a shrine complex rise on this colorful kakemono, while in the background the snow-capped peak of Mount Fuji softly shimmers through the haze. Warm yellow and orange tones in the sky lend the scene an almost festive, reverent mood.

Above the motif are placed handwritten verses referring to a poem by Emperor Meiji – a reference to the close connection between landscape, Shintō belief, and imperial poetry in Japanese culture. The combination of Fuji, pines, and shrine is among the most beloved and venerable pictorial motifs of Japan.

The work is painted on silk, the jikusaki is made of wood, created in the Shōwa period. With its warm coloring and venerable symbolism, this kakemono, Pines and Shrine Before Mount Fuji, is a particularly representative choice for lovers of classical Japanese landscape painting.

Frequently asked

No – as a one-of-a-kind piece it exists in a single example only.
We would be glad to look for one. Get in touch with the details of the object you are looking for and we will see what we can do.
Because the two pieces of information speak about different things: the period designation describes the object – support, colors, condition – while the signature reflects which name appears on the painting. In most cases there is no attempt at deception behind this, but rather Japanese painting training: copying from workshop models was the curriculum for centuries, an utsushi is regarded as a bow to the teacher, workshops signed with the master's name, and artist names were passed down within a school. Such a hanging scroll is therefore not a forgery, but a hand-painted one-of-a-kind that continues the formal language of its school – just not the work of the famous name, and priced accordingly. We explain this in detail in the guide Why does a kakemono often bear the signature of an artist long deceased?.